Brandywine fully funds short-term residencies for artists to produce limited edition, original prints using traditional media or a combination of traditional media with new processes based in current and emerging technologies. Each residency is documented and artists participate in the ArtistNConversation program in the gallery. To the extent possible, residency activities are video-taped for the archives.
The Visiting Artists in Residency Program
This national program provides individual artists and those nominated by the National Advisors an opportunity for a fully paid one-two week print production residency in Philadelphia. Names and backgrounds materials – image files, resumes, etc are presented to the Review Committee in early January and a list is generated based upon the level of funding that is available for residencies to occur the following year. As a national program, it is very competitive. Artists selected tend to emphasize creating prints as an extension of their aesthetic interests in another medium, not the reproduction of an existing image or further focus on traditional processes.
The program emphasizes innovation where possible, exploring new ideas and incorporating new materials and technology (i.e., digital cutters). In-person residencies allow for travel and hotel accomodations. Virtual residencies allow for more of the budget to go for production expenses.
Libby Newman Fellowship
About Libby Newman:
Libby Newman BFA ‘80 at the University of the Arts in Printmaking, a government arts advocate and spokesperson, the founding director and curator of the University City Science Center Art Gallery (Esther M. Klein Gallery). Curator for Governor Thornberg. Her work is in the collection of over 32 museums and libraries around the world. She was given the honor as being selected to be A Distinguished Daughter of Pennsylvania.
Statement by Libby Newman:
“I applied for an internship at the Brandywine Workshop in 1984 to learn more about printmaking under the guidance of master printers currently at the Brandywine. Allan Edmunds had shown such a commitment and knowledge to the art that I knew I could learn a great deal from him. My thinking proved correct. I believe in giving back to the art community that has always been so generous to me.”
Residency Eligibility Requirements and Goals:
The goal of the residency is to make it possible for artists living in the Philadelphia area to make an edition of original fine art prints and gain a workshop experience that advances their studio practice and professional careers. The Fund, approximately $1,200 a year, is given to a local artist not currently enrolled in a University Program, for a residency at Brandywine Workshop and Archives. All projects must include some use of the print medium or printing process,- screen printing, relief, or offset lithography using photo-sensitive aluminum plates or a combination of processes. The money is provided to cover the costs for materials and the master printer and assistants. The project should be accomplished during the months of April to October of the Fund receiving year. Visual artist of any medium can apply.
Distribution of Completed Art Works/ Multiples/Prints:
Artist and the BWA printshop split any signed numbers of the edition 50/50. Prints retained by Brandywine will be deposited into its permanent collections/archives, offered for distribution to partner institutions as part of the satellite collections program, included in local and traveling exhibitions, if selected by the the curator. There is no promise of an exhibition for any single artist or group of affiliated artists associated with this opportunity. The remainder of the multiples/prints will be offered for sale to support the general operations and programs of BWA.
Joyce De Guatemala Scholarship Fund
The Dream of Joyce de Guatemala:
Joyce de Guatemala Bush Vourvoulias was born in Mexico City to Cassius Albert Bush and Martha Bush of Guatemalan heritage. She was a former visiting artist and Board member of Brandywine Workshop who died suddenly in 2000 leaving a legacy of artistic works and service that reflected her interests in the environment and people, especially Latina women artists. She was particularly interested in the plight of those who were geographically or economically isolated and having few opportunities to advance their art careers. Her husband, Jason, who died shortly after Joyce, shared this interest and a passion for the arts. Acting upon the dream of Joyce to bring more Latina women visiting artists to Brandywine for exposure, training and career advancement, the family established the Joyce DeGuatemala and Jason Vourvoulias Scholarship funds to support the goal. In order to fully realize Joyce’s dream, sponsored artists would demonstrate a commitment to furthering their career through the residency opportunity and explore public service through their art.
Distribution of Completed Art Works/ Multiples/Prints: Artist and the BWA printshop split any signed numbers of the edition 50/50. Prints retained by Brandywine with be deposited into its permanent collections/archives, offered for distribution to partner institutions as part of the satellite collections program, included in local and traveling exhibitions, if selected by the the curator. There is no promise of an exhibition for any single artist or group of affiliated artists associated with this opportunity. The remainder of the multiples/prints will be offered for sale to support the general operations and programs of BWA.
Objectives: To provide wider access to resources and opportunities for disadvantaged artists due to economic and geographic barriers.
To provide opportunities to work in a collaborative studio setting to produce limited edition prints or multiples.
To advance the artists’ exposure by producing new work and then spotlighting that art work in local and traveling exhibitions and having it acquired by collecting institutions nationally and internationally.
To foster community among artists of different cultural and ethnic backgrounds through collaborative practice and collective professional development activities.
Residency Description: Each artist is asked to think in terms of multiples of an image. In addition to original prints, limited editions of collages, mixed-media works on paper and dimensional works may be considered. The key is to have enough works so that they can be distributed (50/50 with Brandywine) which would leave images available for distribution to public collections, sale to help fund future residencies going forward and placement in the permanent Collection and Archives of Brandywine. In addition to one-half of all images produced, each artist will be provided a budget of $2,500 to be spent on master printer fees, shop assistants, art supplies and materials or services needed. Brandywine’s studio facilities will be provided for their use during a 3-6 month period of execution. Each artist will have access 7 days per week from 9:00 AM- 9:00 PM. Funds must not be used for room, board or travel expenses; the project is intended for artists staying locally.