John T. Scott
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- 1988
- Offset Lithograph; Collage; Construction
- Image/sheet: 30.25 x 20.25″
- 27 prints in this edition
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About the Print
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John Scott’s figurative collage Blues for the Middle Passage II evokes the anonymity and physical vulnerability imposed on Africans transported across the Atlantic—the Middle Passage—as cargo to be sold into slavery. Commercial goods from Europe were shipped to Africa for sale and traded for enslaved Africans. Africans were in turn brought to the New World and traded for raw materials. Silhouettes of male and female figures—some unbound, others fallen—are closer together or aligned in rows across the bed, creating a raft-like panel on top of a dark sea. The casually scripted phrase “No Homeland“ summons the plight of the roughly 20 million Africans sold into slavery. In A Narrative of New Orleans, Scott said of his work: “If one looks at the blues, the blues is a narrative. It’s a story. Jazz just elevates the blues, leaving the story and just taking the structure. I think my work can be taken on many levels. It is narrative in nature but the narrative is very abstract. There are other times when there’s nothing more than the rhythm, the color, and the structure.”n—From Brandywine Workshop and Archives records
nJohn T. Scott’s works display themes of African American life, Afro-Caribbean culture, and the music culture of his hometown—New Orleans. His work is best known for its unconventional and experimental use of materials. Scott used tools such as chain saws, spoons, traditional wood carving tools, kitchen knives, and various other accessible tools to create his prints.n—From Brandywine Workshop and Archives recordsn
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“In the African-American community, he was the first to be embraced by the white world. He was an artist of prominence that could rival anyone in the city. He became the role model, the pinnacle that all of us strove to be like.” — artist Willie Birch, on John T. Scott
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John T. Scott
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AmericannBorn June 30, 1940 innNew Orleans, LA
About the Artist
nJohn T. Scott was a sculptor, painter, printmaker, and collagist born in New Orleans, LA. He earned a BA at Xavier University of Louisiana, New Orleans, and an MFA from Michigan State University, East Lansing, where he studied under painter Charles Pollock. He taught at Xavier University for 40 years.nnHis works are in the permanent collections of the Ogden Museum of Southern Art, Amistad Research Center at Tulane University, Xavier University of Louisiana Art Collections and Gallery, Loyola University, and Louisiana Endowment for the Humanities, all in New Orleans; Louisiana State University’s Shaw Center for the Arts, Baton Rouge; Museum of Fine Arts, Houston, TX; Scripps College, Claremont, CA; Smithsonian American Art Museum, Washington, DC; Fisk University, Nashville, TN; and Baltimore Museum of Art, MD.nnAmong awards and honors received by Scott are a grant to study under sculptor George Rickey; an honorary Doctor of Humanities from Michigan State University; an honorary Doctor of Humanities from Tulane University, New Orleans; and a MacArthur Fellowship (“Genius Grant”) from the John D. and Catherine T. MacArthur Foundation.n—From Brandywine Workshop and Archives records